Thursday, January 14, 2010

Week 3-Petrelli on Censorship in Australia:

Firstly, i'm agree with the ratings that are given to movies because in some way, it is a protection for the children. as we know that in some of the movies, they always include some scenes about violence, kill and scary stories. it is bed for the children i think. for example, the M ratings given to Harry Potter movies, which are meant to be for children. and also there is another movie called Baise-Moi which was banned in Australia for a long time. it was banned because the genre is not easy to escept by the audience.
In Australia, the censheship is different than others. Australia is a federation, and responsibility for censorship is divided between the states and the federal government. Censorship of Video Games and Internet sites hosted in Australia are considered to be the strictest in the western world.
The Federal Parliament has the power under the Australian Constitution to make laws relating to communications and customs. Under the communications power the federal government can regulate the broadcast media (television and radio), online services (the internet), and under the customs power, the import/export of printed matter, audiovisual recordings and computer games. However, the production and sale of printed matter, audiovisual recordings and computer games solely within Australia lies with the states.
However, to reduce duplication and ensure some national consistency, the states, territories and federal government have agreed to establish a co-operative national classification scheme. Under this scheme, the Office of Film and Literature Classification (OFLC) (a federal body) classifies works. Federal law enforces these classifications with respect to customs, and online services. (Broadcast media are not under the purview of the OFLC, but rather a separate federal agency, ACMA.)
But since the federal Parliament has no power to criminalise the domestic sale or exhibition of printed matter within the States, the States and Territories then as part of the scheme pass their own laws criminalising such sale and exhibition. However, although they have delegated their censorship responsibility in general to the Commonwealth, they reserve the legal right in specific cases to either.
As of 2005, censorship regime is largely the purview of the OFLC, a statutory body which operates independently of the Federal Government.
Failure to obtain classification is an implicit ban and the OFLC occasionally refuse to give classification. All feature films, videos, computer games, and magazines that contain sexual content for commercial release are required to be submitted to this body, made up of “community representatives” appointed by the government for two-year terms.
Some films (those made for educational or training purposes, for instance) are exempt from classification under certain conditions. Film festivals and institutions such as ACMI - Australian Centre for the Moving Image must apply to the OFLC to have the films on their proposed program made exempt from classification for the purpose of screening at a particular film festival or event. If the OFLC believe an unclassified work, in their estimation would receive an X18+ classification if it were to be classified they will not grant an exemption for public screening as an X18+ cannot be exhibited. Film festivals may be required to age-restrict entrance to a festival or screening.
In addition to the OFLC, the Australian Communications and Media Authority is also active in making recommendations and setting guidelines for media censorship. Confusion has recently arisen between the three bodies over censorship of mobile content.
The OFLC is not responsible for classifying television shows. Television is regulated by the ACMA, and the content of free-to-air commercial television is industry-regulated under the Australian Commercial Television Code of Practice. However, the OFLC does administer the classification of TV programmes for private sale (eg. DVD and video), using the same rating classes and advisory graphics as for feature films.

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